![]() ![]() The same with 'Dear Frankie' when I read that script, I thought can I be so wrong? If this is so moving and profound to me than surely if I could in a simple way, and never more than in 'Dear Frankie,' you know I know this guy. It's a much more exciting prospect, because if something moves me I'm no different than anyone else. When I connect with something, I already imagine myself playing that role and I knew the direction and the feeling I could give it. ![]() ![]() I read the script fortunately before I ever saw the stage play, therefore it was completely fresh to me when I saw Joel's interpretation, which is obviously so much more emotionally complex. 's very entertaining and at the end quite moving. GB: That's a disconnect I had with the stage play as well even though I loved it. How important was that element that we got to know what drove the Phantom? PF: The movie goes far more into the background of the character than stage play. Not just to be bad to be bad and to be entertaining, but be bad and try to.If you try to sympathize and realize why he's bad and does the things he does an audience can connect with that and sympathize with that character. I just know that when I read a script that I fascinating and I love taking a claim into the darkness of the soul, but I just don't know how to explain it. GB: I probably should have thought about this because it's quite a common question. PF: What's the fun of playing these iconic characters? You've done Dracula, Beowulf and now this? It just goes to show you that it can be one character you take, one movie that somebody sees something that inspires them. Gerard Butler: There were six films in the cinema and he'd seen all of them, so he said, "Oh, shit, we might as well go see 'Dracula.' He tells me the story anyway. Paul Fischer: You must be very thankful for "Dracula 2000" if you believe the press notes, apparently was that movie that Joel Schumacher saw. ![]()
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